Lapis lazuli inlaid with antique motifs and gilded with imperial poems - screen
Lapis lazuli inlaid with antique motifs and gilded with imperial poems - screen
Lapis lazuli inlaid with antique motifs and gilded with imperial poems - screen
Lapis lazuli inlaid with antique motifs and gilded with imperial poems - screen
Width: 44cm, Thickness: 18cm, Height: 64cm
Lapis lazuli inlaid with antique motifs and gilded with imperial poems - screen
"A stone bridge leads the way, a lofty platform stands majestically in the center. The scenery extends throughout the four seasons, and the windows on all eight sides let in the breeze. The sky reflects the shimmering blue of the ripples, the waves hold the crimson reflections. Those who gaze across the lake see this as a paradise on earth." —A poem inscribed by Emperor Qianlong.
The screen is framed in Zambian rosewood and features a lapis lazuli panel. The panel employs an inlay technique, using precious stones such as white jade, Shoushan stone, and turquoise to create ruyi (auspicious scepters) and vase-shaped antique motifs, symbolizing "eternal peace and security." The intricate designs and vibrant colors are typical of the Qianlong era's aesthetic. On the right side, Emperor Qianlong's poem "Inscribed on the Wangchan Pavilion" is inscribed in gilt clerical script. The back panel is lacquered black and decorated with gilt landscape and pavilion motifs, with flocks of wild geese returning in the distance, conveying a profound and evocative meaning.
The base is framed with Zambian rosewood, with a waisted section and flared feet for added stability. It is decorated with carved boxwood panels in two shades, creating a harmonious combination. The carvings depict pine, bamboo, and plum blossoms, the "Three Friends of Winter," cleverly forming a railing-like design. The workmanship is exquisite and the pieces are beautifully crafted.
Width: 44cm, Thickness: 18cm, Height: 64cm
Lapis lazuli inlaid with antique motifs and gilded with imperial poems - screen
"A stone bridge leads the way, a lofty platform stands majestically in the center. The scenery extends throughout the four seasons, and the windows on all eight sides let in the breeze. The sky reflects the shimmering blue of the ripples, the waves hold the crimson reflections. Those who gaze across the lake see this as a paradise on earth." —A poem inscribed by Emperor Qianlong.
The screen is framed in Zambian rosewood and features a lapis lazuli panel. The panel employs an inlay technique, using precious stones such as white jade, Shoushan stone, and turquoise to create ruyi (auspicious scepters) and vase-shaped antique motifs, symbolizing "eternal peace and security." The intricate designs and vibrant colors are typical of the Qianlong era's aesthetic. On the right side, Emperor Qianlong's poem "Inscribed on the Wangchan Pavilion" is inscribed in gilt clerical script. The back panel is lacquered black and decorated with gilt landscape and pavilion motifs, with flocks of wild geese returning in the distance, conveying a profound and evocative meaning.
The base is framed with Zambian rosewood, with a waisted section and flared feet for added stability. It is decorated with carved boxwood panels in two shades, creating a harmonious combination. The carvings depict pine, bamboo, and plum blossoms, the "Three Friends of Winter," cleverly forming a railing-like design. The workmanship is exquisite and the pieces are beautifully crafted.
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