















Replica of Qing Dynasty Palace Gilded Passionflower and Bat Pattern Armchair

















Replica of Qing Dynasty Palace Gilded Passionflower and Bat Pattern Armchair
Replica of Qing Dynasty Palace Gilded Passionflower and Bat Pattern Armchair
Replica of Qing Dynasty Palace Gilded Passionflower and Bat Pattern Armchair
Armchair: Total height: 102.5cm, Total width: 68.9cm
Seat depth: 57.2cm, seat height: 51cm
Central Hall Table: Length: 262cm, Width: 46.8cm, Height: 109cm
Square table: Length 89.2cm, Width 89.2cm, Height 80cm
The armchair is resplendent in gold and gleaming. The carvings, joinery, and gilding throughout are arranged in a harmonious and orderly manner.
The painting is elaborate yet tasteful, exuding richness and luxury.
The upper part of this armchair is not made of large pieces of wood, and the corners are joined with mortise and tenon joints. This shows how well the materials are used (saving materials) and how ingenious the craftsmanship is.
The gilded patterns painted stroke by stroke on it still shine brightly hundreds of years later.
The Ming Dynasty book "Records of Lacquer Decoration" states: "Gold painting, also known as 'painted lacquer with mud gold,' is pure gold floral patterns. It is suitable for both red and black backgrounds."
Armchair: Total height: 102.5cm, Total width: 68.9cm
Seat depth: 57.2cm, seat height: 51cm
Central Hall Table: Length: 262cm, Width: 46.8cm, Height: 109cm
Square table: Length 89.2cm, Width 89.2cm, Height 80cm
The armchair is resplendent in gold and gleaming. The carvings, joinery, and gilding throughout are arranged in a harmonious and orderly manner.
The painting is elaborate yet tasteful, exuding richness and luxury.
The upper part of this armchair is not made of large pieces of wood, and the corners are joined with mortise and tenon joints. This shows how well the materials are used (saving materials) and how ingenious the craftsmanship is.
The gilded patterns painted stroke by stroke on it still shine brightly hundreds of years later.
The Ming Dynasty book "Records of Lacquer Decoration" states: "Gold painting, also known as 'painted lacquer with mud gold,' is pure gold floral patterns. It is suitable for both red and black backgrounds."
















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