Azure Dragon Piercing the Clouds
Azure Dragon Piercing the Clouds
Azure Dragon Piercing the Clouds
Works by Li Fuming, inheritor of the intangible cultural heritage of silver forging techniques
Volume: Approximately 1100 ml Weight: Approximately 650 g
The shape is derived from ancient pottery jars, and the waistline design adds a restrained and simple charm.
The spout is short and constricted, and the handle and flat cover are also low and flat, like a small-frame Tai Chi, which is unassuming and restrained, and has a kind of simple and unpretentious beauty.
The cloud and dragon pattern symbolizes the power of nature. Clouds follow the dragon, and wind follows the tiger. The dragon is the main motif on this pot, with clouds as the secondary motif. The dragon dances and gallops among the clouds.
The cloud and dragon motif first appeared on Tang and Song dynasty porcelain, such as the cloud and dragon patterns on various Yue ware vases from the late Tang and Five Dynasties period, and the dragon patterns coiling and dancing among auspicious clouds on Song dynasty Ding ware printed plates. Cloud and dragon patterns became even more common on porcelain from the Yuan, Ming, and Qing dynasties. This teapot, with its antique charm and majestic grandeur, has been integrated into modern life.
A gold-plated teapot with a red coral base, its handle woven from old vines.
Produced by Dayatang, handcrafted by Li Fuming, an inheritor of intangible cultural heritage.
Works by Li Fuming, inheritor of the intangible cultural heritage of silver forging techniques
Volume: Approximately 1100 ml Weight: Approximately 650 g
The shape is derived from ancient pottery jars, and the waistline design adds a restrained and simple charm.
The spout is short and constricted, and the handle and flat cover are also low and flat, like a small-frame Tai Chi, which is unassuming and restrained, and has a kind of simple and unpretentious beauty.
The cloud and dragon pattern symbolizes the power of nature. Clouds follow the dragon, and wind follows the tiger. The dragon is the main motif on this pot, with clouds as the secondary motif. The dragon dances and gallops among the clouds.
The cloud and dragon motif first appeared on Tang and Song dynasty porcelain, such as the cloud and dragon patterns on various Yue ware vases from the late Tang and Five Dynasties period, and the dragon patterns coiling and dancing among auspicious clouds on Song dynasty Ding ware printed plates. Cloud and dragon patterns became even more common on porcelain from the Yuan, Ming, and Qing dynasties. This teapot, with its antique charm and majestic grandeur, has been integrated into modern life.
A gold-plated teapot with a red coral base, its handle woven from old vines.
Produced by Dayatang, handcrafted by Li Fuming, an inheritor of intangible cultural heritage.
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